I compose music for electronically enhanced acoustic musical instruments.
A Plus-Minus Ensemble commission with Peter Falconer for the AI Arts Festival 2026. Text by Keir Cooper & Rose Biggin.
List of works
[for voice, clarinet in Bb, cello and keyboards]
[for string quartet and live electronics]
[for acoustic upright piano, drumkit, and live electronics]
Pad Act One
[for alto saxophone and live
electronics]
Microsong Cycle
[for voice, accordion, clarinet in Bb,
and electronics]
1. Linguine
2. Charlene from Big Data
3. Tales of George
4. Thingamy-on-Sea
5. Escape from Ekphrasis
6. Isn't It, Just
A Short Fantasia Starting on C
[for virginals and electronics]
[for piano and electronics]
[for piano and electric drumkit]
[for solo violin, live electronics,
DMX light]
[for three percussionists,
live electronics and video]
[for four electric guitarists,
and live electronics]
[for solo electric hexaphonic
guitar and six amplifiers]
[for solo tuba, live electronics
and surround sound speakers]
For string quartet and auto-tune.
Recorded by Mayah Kadish, Flora Curzon, Kasia Zimińska, and Alice Purton.
Composition for the Innovation in Music 2024 conference, Oslo. Work for piano and drum kit as samplers.
Written Frankie Dyson Reilly and Jamie Howell.
Six songs for voice, accordion, clarinet. Written for Peter Falconer, Eva Zöllner and Heather Roche Text by Keir Cooper & Rose Biggin.
Written for line upon line percussion ensemble. Part of the Line Upon Line Winter Festival.
Filmed in Austin, Texas on the 13th April, 2021.
Written for Ensemble Paramirabo.
Recorded at a workshop at the University of Southampton in October 2016.
Written for Line Upon Line percussion ensemble. Part of a series of short films:
1½ minute virtual quartets by and with composers.
Written for Håkon Stene
Recorded at a workshop at the University of Southampton on the 1st July 2015.